Behringer AT108 15-Watt Acoustic Amplifier Review

Behringer Acoustic Amp

As a name with a moderately lengthy history, Behringer managed to attain a good reputation with it’s moderately priced, yet highly effective products. Whichever the domain might be, the German company has a competitor bound to grab at least a decent share of the market.

So this time around, we’ll focus on the acoustic guitar amp domain. It’s important to point out straight from the top that acoustic guitars work significantly different that the electric ones, so treating them the same simply isn’t an option. The same goes for their respective amp models, but similarly to the electric domain, good deals can still be found out there, as long as you do your research right.

What makes the amp additionally stand out is the fact that it comes with an included microphone input, allowing you to practice both playing and singing simultaneously.

Anyhow, we can easily single out the Behringer AT108 15-Watt Acoustic Amplifier as on of the top under $100 acoustic guitar amplifiers on the market. It definitely delivers high performance for the given price tag and also comes with a handy few features. Join us below for a detailed review.

Sound

For the given $99.99 price, Behringer AT108 delivers great audio quality without much tweaking. The sound is clear enough for a proper performance, although certain customers have reported humming at higher volumes, typical for most house amps. And that’s exactly what this device is – a house amp, so don’t get the idea of jamming along with a full-on band backed up only by an AT108, as it simply won’t work.

Furthermore, the mic audio quality matches the guitar sound, allowing you to get a good clear image of your performance. Both your voice and guitar skills will be tested on this one, and that’s exactly the kind of amp you need for your home. To hit the club scene and ultimately the open road, you’ll need to get a good evaluation of yourself by yourself, and AT108 will give you just that.

Features

With the microphone input mentioned beforehand, Behringer AT108 has a few extra features to go around that most of its competitors. But apart from the mic input and a volume knob, it’s pretty much same old classic stuff. Just as it should be, you should never consider buying a small amplifier with dozens of integrated guitar effects. Believe us when we say it, they’ll mostly turn out cheap-sounding and ultimately useless, they might even put you off from playing guitar for good.

Anyhow, the amp includes a fairly powerful 20-Watt, 8-inch dual-cone speaker strong enough to support you in house jams, smaller band practice without a full drum set or even smaller club gigs, but only featuring yourself and a vocalist. Additionally, a standard three-set EQ (low, mid, high) is also included, as well as a handy CD player input for more effective practice and a headphones input for silent jams to keep the neighbors happy.

Durability and Reliability

As you can see from the photo, Behringer AT108 is somewhat of a bulky device, resulting in both increased weight and higher durability. The amp is well designed and properly protected, allowing it to easily withstand a punch or two. You can transport it, carry it around different weather conditions and even drop it along the way a few times and it will still work perfectly, as long as you don’t crank it up to 11 all of the time. The 14.4 lbs (6.53 kg) weight with a 15.4 x 7.6 x 14 inches size reflects the given state perfectly.

As with most house amps, this one wasn’t built for loud jams either. But you can still get a pretty loud performance, don’t worry about that, it’s just that heavy strumming with a full-on band is out of the question.

When it comes to reliability, there’s not much to worry about on the AT108. The speaker will hardly burst or cause you any trouble unless it’s constantly abused, the casing is hard and the inner parts are very difficult to shake up, almost impossible for that matter.

Overall: Pros and Cons

So is Behringer AT108 the best acoustic guitar amp out there? Well no, of course not, but for the given under $100 price it most certainly is. It guarantees a high-quality house performance and allows you to properly prepare your guitar playing and singing for an actual live performance. If you’re a singer/guitarist, this is an amp you just can’t go wrong with. To sum it all up, check out the bullet points below for a detailed pros and cons rundown.

Behringer AT108 Acoustic Amplifier Pros

  • Price – This one really goes to show without saying. The $99.99 is the amount people spend on buying coffee for a few weeks, the price you have to pay for a few music albums or video games. But it’s also the amount of money needed for a great guitar amplifier that can kickstart your musical career, or at least a very fulfilling hobby, so always keep that in mind if a AT108 is an item you’re considering to add to your purchase list.
  • Features – The microphone input proves as a critical addition on this one. Not only does it allow you to hit the small venues and start generating income from your playing right away, but also it allows you to instantly work on two crucial skills – guitar and vocals.

Behringer AT108 Acoustic Amplifier Cons

  • Power – Far from an unexpected con, power isn’t a feature the AT108 can take pride with. And to be fair, it shouldn’t. It’s a house amp we’re talking about, not an arena rocker. However, the lack of power also reflects on the sound quality at higher volumes, so unless you want to get the speaker crackling, keep your neighbors happy loudness-wise.

Summing it all up, Behringer AT108 is an acoustic guitar amp worth having whether you’re a struggling beginner of a seasoned pro. It’s an investment you won’t regret and one of the best under $100 guitar amps you can find.

This Guitar Amp is Featured On Our The 5 Best Guitar Amps Under $100 Article.

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Marko Jovanovic

Marko is a freelance music journalist from Serbia. As a tech savvy individual and a regular Ultimate-Guitar.com news and feature article writer, he contributes on a wide array of musical topics with at least a pinch of rock 'n' roll always present in his work.

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